Type In Motion

FA/YSDN 4002 3.0 Section N

York University, Toronto, Ontario, CANADA

Course Director: Graham Huber

Email: ghuber@yorku.ca
Telephone: 416.668.1463
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Plexus

Plexus is a Next Generation 3D Particle System Plugin Designed for Adobe After Effects.

  • Create Stunning Generative Art with ease
  • Highly Integrated into After Effects, native Camera and Light aware.
  • Breakthrough Modular Workflow, that is infinitely configurable.
  • Create Organic Structures using Powerful Replication Tools.
  • Effectors to create Physical Simulations.
  • You can import OBJ Files and OBJ Sequences into Plexus.
  • Use AE Lights to shade the Plexus and Color Maps to color the particles.
  • High Quality Custom Rendering Engine.

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Ask Nick Vegas of GreyscaleGuerilla your AE/Cinema 4D questions, and he will create a screencast to answer your question.

Favourite Fonts of 2009 Click for high-res photo

Favourite Fonts of 2009

Public domain image resources →

Endless resources to explore for inspiration…

30 Years in the Making Mark Simonson set out in 1981 to design a typeface with the general proportions and stroke contrast of Helvetica or Akzidenz-Grotesk, but with construction principles and details borrowed variously from Futura, Kabel, the ATF gothics (Copperplate Gothic, News Gothic, Franklin Gothic, etc.) and the U.S. Federal Highway signage typeface. The result was a hybrid; a face combining modern, even-width proportions with a somewhat geometric appearance. It was first released through FontHaus in 1994 as Proxima Sans, a family of six fonts - three weights with matching italics. The name Proxima Sans was chosen to acknowledge that it was near other sans serifs in design and also because the letters in the name displayed some of the more identifiable characteristics of the design. Full Type Specimen Typeface Overview Buy Proxima Nova p.s. What’s with that comma in the photo caption? Click for high-res photo

30 Years in the Making

Mark Simonson set out in 1981 to design a typeface with the general proportions and stroke contrast of Helvetica or Akzidenz-Grotesk, but with construction principles and details borrowed variously from Futura, Kabel, the ATF gothics (Copperplate Gothic, News Gothic, Franklin Gothic, etc.) and the U.S. Federal Highway signage typeface.

The result was a hybrid; a face combining modern, even-width proportions with a somewhat geometric appearance. It was first released through FontHaus in 1994 as Proxima Sans, a family of six fonts - three weights with matching italics. The name Proxima Sans was chosen to acknowledge that it was near other sans serifs in design and also because the letters in the name displayed some of the more identifiable characteristics of the design.

Full Type Specimen

Typeface Overview

Buy Proxima Nova

p.s. What’s with that comma in the photo caption?